The Globe as you know it is changing. Coming June 2019

  • More thought provoking stories that inspire
  • Independent, free and member supported
  • Vote for, pitch and commission stories
  • Member engagement with our journalists
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To understand more about why you are so important to our member support initiative, we encourage you to read the following from our managing editor ~ Read more

The Globe as you know it is changing.

Since 2007, Southeast Asia Globe has been a space for some of the region’s best writers and photographers to take our readers behind the headlines into the stories that shape people’s lives. Every month, you could expect to pick up our latest print edition and find high-quality journalism, analysis and artwork waiting on every page. And since 2007, we’ve fought to uphold our promise of quality and independence to you, our readers.

But, like we said, the world is changing. Print publications just aren’t reaching the audiences they need to fulfil their promise of informing, educating and entertaining the public. Advertisers continue to invest in digital platforms while printing costs creep ever higher. Print may not be dead, but it’s fighting for its life. And we’re tired of waiting by a sickbed for its condition to improve. We want to be present at the birth of something new.

That’s why Southeast Asia Globe is relaunching as a member-driven platform featuring daily long-form features combining world-class journalism with enthralling art design and data-centered tech. Through our core pillars – Power, Money, Life and Earth – we are focusing in on the central issues that our readers have always engaged with most, with the same in-depth coverage of politics, business, social affairs and the environment that you’ve come to expect since 2007.

But leaving print behind us doesn’t just save our backs from lugging stacks of magazines across Southeast Asia. It opens up a global readership who don’t just want to read the news, but have a say in the stories that we tell and the way that we tell them. We’re not asking you to take out another magazine subscription – our stories are open to all. What we’re offering our members is a space where they can pitch and vote on the stories that they think deserve to be told. We want to inspire an engaged and active community of members who vote for, comment on and contribute to the stories that matter most to them. We want to work with our members to curate the way they engage with the news – not just as readers, but as an active extension of our editorial team.

That’s how we’re changing to bring you great stories. Here’s how we’re not.

We’re independent. Always have been, always will be. We’re not owned by any corporation or aligned with any state. We choose the stories that we tell, and the way that we tell them.

We’re creative. We’re not interested in churning out breaking news stories on the hour, every hour. We believe that the best stories are the ones that come alive on the page, digging deeper into the issues that shape Southeast Asia – and bringing you along for the ride. From our dedicated designers to our new software development team, our commitment is to constantly challenge ourselves to find new ways of reaching out to our readers.

We’re open. Challenging governments, NGOs and businesses to be transparent with the public means nothing if we keep our own readers in the dark. That’s why we will be completely open about why we tell the stories that we tell – and how we pay for them. Work with us to build something that endures where many media fail, and decide with us exactly where that money is going.

Above all, we’re optimistic. And yeah, we know what you’re thinking. Faced with impending climate collapse, the rise of right-wing authoritarian governments across the world, widening wealth and income inequality and deepening divisions rooted in race or gender or creed, it’s hard not to open the papers and feel the weight of the world pressing down. But we wouldn’t be doing this if we didn’t believe that when people work together, they can make their little corner of the world a more just, open and equal place.

And that’s why we can’t do this without you. We believe that across the globe is a community of people who care deeply about social justice, environmental action and press freedom – and who will join in to help make those ideals a reality. We’re not just holding our hand out – we need your voice to play a vital role in building Southeast Asia Globe into a leading space for progressive causes in the region. Tell us what stories the mainstream media is missing. Share with us the causes that matter most to you, and how we can champion those causes not just across Southeast Asia, but the world.

Our vision is clear. By 2025, we want to be recognised for building a great space for outstanding journalists from across the region to explore new ways of telling Southeast Asia’s most vital stories. Let’s bring together a community of engaged and loyal members who want to help reshape the media rather than just read it. And we want to reach a point where our readers, not advertisers, are the ones working to support our shared vision of an inclusive media.

We can’t do this without you. Let’s get together and build something that we all believe in.

If you’re interested in joining us, sign up to our newsletter, like us on Facebook, follow us on Twitter. And watch this space.

March culture highlights: Thai film star Tony Jaa, Coldplay and Disney on Ice

Posted on: March 9, 2017 | Cambodia

Your March guide to culture in Southeast Asia 

Tony Jaa
Photo: Mike Marsland/Getty Images

Q&A: Tony Jaa

A quick word with the Thai action movie star who made his name in the Ong Bak trilogy but has gone on to Hollywood success with roles in Furious 7 and this year’s xXx: Return of Xander Cage


You still live in Thailand. How do you deal with fans and your immense fame there?

There are fans everywhere, but they’re respectful. They don’t mob me. They might come up and politely ask for an autograph or say: “Hey, Tony!” They treat me like family.

And you’re quite big on social media…

Yeah, I have an official Tony Jaa Facebook page, Twitter and Instagram. I have about five million followers on Facebook. I post about once a day, and I usually answer up to 15 people every day… I answer them myself. There’s no team.

Why do you feel the need to be personal like that?

They take the time to follow me, so I believe they deserve [it]. I think being connected to your fans like this is important. It wasn’t like that before; before we didn’t have the technology, but now the world is close together… People want to know about each other’s culture and we can make new friends.

Most people know you from the Ong Bak films. Are you going to do any more of them, or more Hollywood films?

I hope to do a bit of both: films aimed at the Asian market as well as Hollywood films. But Ong Bak is done. People love Ong Bak, but we have to change. We’ll keep the signature [fighting style] because I come from Thailand – with both Furious 7 and xXx, I included my signature Muay Thai style.

What are you doing next?

An action movie that starts this month that’s geared toward the Asian market. It’s going to be shot in Thailand but it’s for the [entire] Asian market. – Angela Dawson

ColdplayColdplay’s adventure of a lifetime

Even back in the year 2000, upon hearing the opening chords from Coldplay’s breakthrough hit, “Yellow”, it was apparent that this was a band destined for big things – although it would have been hard to predict they would morph into the middle-of-the-road stalwarts they have become. Now, one marriage to Gwyneth Paltrow, numerous political causes and more than 100m album sales later, Coldplay are still selling out stadiums the world over. Their A Head Full of Dreams tour comes to Southeast Asia at the end of this month.

When and where? Singapore, 31 March and 1 April; Manila, 4 April; Bangkok, 7 April.

Disney on IceTo infinity and beyond

It’s difficult to sum up the influence Disney movies have had on millions of lives all over the world. Many older readers will remember being wowed by the musical magic of The Jungle Book back in 1967, and there seems to be hardly a child alive that couldn’t sing along to the Frozen anthem “Let it Go”. Thankfully, Southeast Asian fans old and young will soon be able to witness their favourite Disney characters come to life when the all-singing, all-dancing Wonderful World of Disney on Ice comes to the region this month and next.

When and where? Singapore, 15-19 March; Malaysia, 24-26 March, Thailand, 30 March to 2 April; Indonesia, 20-24 April.

ChangChuiArts soaring

Opening next month in Bangkok’s Thonburi district is an achingly cool creative hub featuring a disused airplane. ChangChui, with its 18 buildings all made from salvaged materials, will be the biggest creative space in Thailand, featuring a live performance theatre and a cinema screening the latest in Thai film, not to mention an art gallery, flea market and ‘exotic’ garden. But the biggest draw is the plane, once part of the now-defunct Thai Sky Airlines fleet, which will house a private collection of stuffed dead animals arranged thematically to evoke Noah’s ark. Patrons even have the option to dine under the taxidermied eye of a polar bear, lion or other creature in the restaurant run by the renowned team from Seven Spoons.


Camboo FestivalBamboo bonanza

One of the fastest-growing plants in the world, and strong to boot, bamboo is finally beginning to catch on as a sustainable building material. And it will take centre stage at the first ever Camboo Festival held over the course of a week in Phnom Penh later this month. Organised by the Building Trust, the event will showcase natural construction methods and aims to revitalise traditional skills. David Cole, founder of the non-profit, said it was reflective of a growing industry trend: “In the field of architecture and development we are getting asked more and more to think about sustainability.”

When and where? Phnom Penh 28 March to 2 April.

Unseen unheardMigrants in focus

Migrant workers – the men and women who leave behind their own homes to build or work in the homes of wealthier individuals – are often an invisible segment of society in countries such as Malaysia or Singapore, but their presence in these foreign lands has been a major contributor to the increasing affluence of those around them. “In most of these places, migrant workers’ legal and symbolic status are matters of constant negotiation, reflecting the many complexities behind the continuing nation-building processes of our times,” according to the organisers of Afterwork, an exhibition now showing at Ilham Gallery in Kuala Lumpur. Across a range of mediums and styles, several artists embark on a comprehensive exploration of workers’ stories and struggles.

When and where? Kuala Lumpur, until 16 April.

ResortThe resort bible

Celebrated Bangkok-based architect Bill Bensley is one of the world’s biggest names in hotel design, having dreamed up more than 200 properties in 30-plus countries over nearly three decades. Now, the award-winning design wizard has released a hefty coffee table tome, Escapism, which showcases the best of his spectacular projects, from remote luxury resorts to sprawling private residences. Included within its 500 photo-heavy pages are 26 key creations, from the Istana Royal Palace for Malaysia’s Sultan of Kuala Terengganu to his latest project, the Intercontinental Hotel in Danang, Vietnam. And with Escapism subtitled Volume One, Bensley – dubbed “the king of exotic luxury resorts” by Time magazine – is leaving the door open for plenty more to come.


Davy ChouBehind the lens

The Cambodia International Film Festival is going from strength to strength as the years roll by, and 2017’s lineup might be its strongest ever. Plenty of international coverage was generated when former Hollywood uber-couple Brad Pitt and Angelina Jolie stopped by in December 2015, but organisers are hoping the local film industry’s relative renaissance will drive the headlines this time around. Oscar-nominated director Rithy Panh’s latest film, Exile, will have its Cambodian premiere while the work of other local luminaries such as Davy Chou and Kulikar Sotho – both award-winners in their own right – will also feature.

When and where? Phnom Penh, 4-9 March.