The Globe as you know it is changing.
Coming June 2019

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To understand more about why you are so important to our member-supported initiative, we encourage you to read the following from our managing editor ~ Read more

The Globe as you know it is changing.

Since 2007, Southeast Asia Globe has been a space for some of the region’s best writers and photographers to take our readers behind the headlines into the stories that shape people’s lives. Every month, you could expect to pick up our latest print edition and find high-quality journalism, analysis and artwork waiting on every page. And since 2007, we’ve fought to uphold our promise of quality and independence to you, our readers.

But, like we said, the world is changing. Print publications just aren’t reaching the audiences they need to fulfil their promise of informing, educating and entertaining the public. Advertisers continue to invest in digital platforms while printing costs creep ever higher. Print may not be dead, but it’s fighting for its life. And we’re tired of waiting by a sickbed for its condition to improve. We want to be present at the birth of something new.

That’s why Southeast Asia Globe is relaunching as a member-driven platform featuring daily long-form features combining world-class journalism with enthralling art design and data-centered tech. Through our core pillars – Power, Money, Life and Earth – we are focusing in on the central issues that our readers have always engaged with most, with the same in-depth coverage of politics, business, social affairs and the environment that you’ve come to expect since 2007.

But leaving print behind us doesn’t just save our backs from lugging stacks of magazines across Southeast Asia. It opens up a global readership who don’t just want to read the news, but have a say in the stories that we tell and the way that we tell them. We’re not asking you to take out another magazine subscription – our stories are open to all. What we’re offering our members is a space where they can pitch and vote on the stories that they think deserve to be told. We want to inspire an engaged and active community of members who vote for, comment on and contribute to the stories that matter most to them. We want to work with our members to curate the way they engage with the news – not just as readers, but as an active extension of our editorial team.

That’s how we’re changing to bring you great stories. Here’s how we’re not.

We’re independent. Always have been, always will be. We’re not owned by any corporation or aligned with any state. We choose the stories that we tell, and the way that we tell them.

We’re creative. We’re not interested in churning out breaking news stories on the hour, every hour. We believe that the best stories are the ones that come alive on the page, digging deeper into the issues that shape Southeast Asia – and bringing you along for the ride. From our dedicated designers to our new software development team, our commitment is to constantly challenge ourselves to find new ways of reaching out to our readers.

We’re open. Challenging governments, NGOs and businesses to be transparent with the public means nothing if we keep our own readers in the dark. That’s why we will be completely open about why we tell the stories that we tell – and how we pay for them. Work with us to build something that endures where many media fail, and decide with us exactly where that money is going.

Above all, we’re optimistic. And yeah, we know what you’re thinking. Faced with impending climate collapse, the rise of right-wing authoritarian governments across the world, widening wealth and income inequality and deepening divisions rooted in race or gender or creed, it’s hard not to open the papers and feel the weight of the world pressing down. But we wouldn’t be doing this if we didn’t believe that when people work together, they can make their little corner of the world a more just, open and equal place.

And that’s why we can’t do this without you. We believe that across the globe is a community of people who care deeply about social justice, environmental action and press freedom – and who will join in to help make those ideals a reality. We’re not just holding our hand out – we need your voice to play a vital role in building Southeast Asia Globe into a leading space for progressive causes in the region. Tell us what stories the mainstream media is missing. Share with us the causes that matter most to you, and how we can champion those causes not just across Southeast Asia, but the world.

Our vision is clear. By 2025, we want to be recognised for building a great space for outstanding journalists from across the region to explore new ways of telling Southeast Asia’s most vital stories. Let’s bring together a community of engaged and loyal members who want to help reshape the media rather than just read it. And we want to reach a point where our readers, not advertisers, are the ones working to support our shared vision of an inclusive media.

We can’t do this without you. Let’s get together and build something that we all believe in.

If you’re interested in joining us, sign up to our newsletter, like us on Facebook, follow us on Twitter. And watch this space.

Film / Founders of Brunei’s first film school seek to inspire new generation of creatives

By: Thomas Brent - Posted on: February 26, 2019 | Brunei

Brunei’s first film institute is set to open next month, co-founded by the country’s first female director. While the tiny country of less than half a million citizens is better known for its oil industry, the team behind the new school and its first handful of students are eager to get Bruneian film onto the international stage

Editing film at the pictures and popcorn open day at the Mahakarya Institute of the Arts Asia Photo: Mahakarya Institute of the Arts Asia

Hamizah Hamzah wasn’t into film before. The industry, she says, is mostly full of old people.

While at high school, she became inspired by the traditional Bruneian stories that the students studied in literature class. When she asked her teacher if any of the stories had been adapted into films, the teacher said no. That stuck with Hamzah.

After leaving school, Hamzah was searching for a university with a notion of presenting these stories in a new medium. She attended an education fair earlier this year, and that’s when she stumbled upon the Mahakarya Institute of the Arts Asia.

The brand-new, top-level facility, opening next month, will be the first film school in Brunei. The school will offer a diploma in screen and media and have two intakes of students per year, with a maximum of 25 per batch. For the 20-year-old Hamzah, one of six students currently signed up, it presents an exciting path to the future.

“Everything in the school is very new to me; I’ve never seen anything [like] this before,” she said, speaking via video chat from her home in Brunei.

“So when I went [to visit the school] I was like ‘wow’… I must get into this school.”

The institute is the brainchild of director and producer Siti Kamaluddin, who won recognition on the international stage for her debut film Yasmine in 2014. For years, Kamaluddin and Munji Athirah – a member of Brunei’s royal family who works with Kamaluddin at her production company Origin – talked about creating a film school to help cultivate a film scene in the country.

It started to finally come together in 2016 after a chance meeting between Kamaluddin and US director Alex Fischer, who has taught film all around the world. Fischer was working in Malaysia at the time, but was intrigued by Kamaluddin’s idea and decided to get involved. Through persistence, the concept started to become reality: “[At first] it was me just sending out emails to people saying, ‘there is this possibility in Brunei’,” Fischer told Southeast Asia Globe.

It paid off. In 2017, Kamaluddin, Fischer and Athirah signed a memorandum of understanding with TAFE Queensland – an Australian vocational training institution  – and this partnership kickstarted the creation of the Mahakarya Institute in Brunei.

Six months ago, construction began on the school and then two weeks ago, the final piece was put in place when the school received approval from the Ministry of Education in Brunei.

From Left to Right: Mark Shepherd from the University of Southern California, who was the new film institute’s first official visiting film industry guest; Siti Kamaluddin, Alex Fischer

The school’s three co-founders have big ambitions for the institute. They see it as a way of organically building a creative arts industry in Brunei – something that they see as currently lacking structure.

“I always refer to myself as a struggling artist because I work in a place where really we have zero infrastructure as far as film is concerned,” Kamaluddin said. “We don’t have a film commission, nobody is taking care of film actually.”

Fischer agreed: “[the film industry in Brunei] is on the verge of something, but also, teetering precariously close to falling into an abyss.”

Kamaluddin’s debut film Yasmine, a coming-of-age story depicting a teenage girl’s dedication to Malay martial arts, is one of the only Bruneian-made feature films to make a splash internationally, winning Best Asian Movie at the Neuchâtel International Fantastic Film Festival in Switzerland.

Hamzah explained that the creative industries are not highly regarded in Brunei. She said that parents and schools do not offer much support to young people who want to go down that career route as the jobs are too low-paid. “I’m very lucky because my mum fully supports me going to this school,” she said.

The plan is to offer as much hands-on experience as possible, in line with the TAFE teaching model. Fischer said that around 90% of the course will be practical. After the first few weeks, during which students will learn workplace safety and etiquette, they will get the chance to work on the film set of Kamaluddin’s new film – although the director is still keeping the film’s subject under wraps:

“I haven’t made any announcements yet, but I can tell you…it’s a comedy / action drama – [a] fun movie. We have an award-winning actress and some of the biggest actors in Brunei in it. I will be announcing [it soon],” she said.

For a class of burgeoning film students, she said, the chance to walk straight onto a film set and see industry professionals in action was exhilarating.

“What I like about it, is every time we have a film the students will be able to get on-set experience,” she said. “This is quite unique as far as film school goes. Not every film school can offer that.”

A hands-on Foley demonstration at the pictures and popcorn open day at the Mahakarya Institute of the Arts Asia, in Brunei’s capital city Bandar Seri Begawan. The participant is punching a foam board according to the final haymaker scene in the 2006 film Rocky Balboa. Alex Fischer is holding the foam, and said that the participant “punched pretty hard” Photo: Mahakarya Institute of the Arts Asia

And the plans for the institute extend beyond that. Fischer talked about introducing different courses in the future to cover a wide range of film- and art-related industries. Both Kamaluddin and Fischer hope to create a new generation of talent in the creative industries in Brunei. Not only that, they want to give a new meaning to Bruneian films.

“As much as we’re going to be teaching the content creators of the future here, we’re also trying to establish, within the audience, what it means to watch a Bruneian film,” Fischer said. “Ultimately, we’re trying to encourage a creative content economy. Brunei is connected to oil, but there are other ways to make a living here,” he added.

While the course is designed to set students up to have the skillset to work overseas in more established film industries, Kamaluddin and Fischer are hopeful that the next generation of filmmakers will stay in Brunei to forge something uniquely Bruneian.

When asked if she hopes the students will stay, Kamaluddin lets out a cheerful laugh. “Yes, to work here and create content for Brunei, because we don’t have enough content, and we certainly don’t have enough content creators.”

For Hamzah, the prospect of playing a leading role in her nation’s nascent film industry is exciting. She says that she would like to stay in Brunei, at least initially after the course, and help to bring more attention to the small nation.

“Brunei has so many [beautiful places], but we don’t really use them for [film or creative industries]. Maybe after this film school is opened we can use the school to promote Brunei. We can bring more tourists from outside into Brunei with just a movie,” she said.

Her enthusiasm for the new school and the course is obvious. Hamzah is confident that Brunei will one day have a thriving film industry, and she wants to be one of the first to be a part of it.

“I can see that the future of movies [in Brunei] is very bright,” she said. “I’m sure of that.”